What Is a Tanchoi? The Satin-Weave Banarasi

What Is a Tanchoi? The Satin-Weave Banarasi

Run your hand over a Tanchoi and you'll feel it before you understand it: a Banarasi with no rough floats on the back, woven so the pattern seems to rise from within the silk itself.

Fun fact: The name Tanchoi is said to come from three Parsi brothers — tan, an old word for three, and Chhoi, the surname they took from the Chinese master who taught them.

A weave with no wasted thread

What sets a Tanchoi apart is its structure. In most brocade, extra weft threads carrying the design float loose across the back and are later cut, which is why a brocade reverse can feel rough. A Tanchoi instead binds those colour threads into the body of the cloth, so the back is smooth and the design is dense, satiny and finished-looking. The result is a saree that feels supple and substantial at once, with motifs that glow rather than glitter.

Khinkhwab Mashru silk Tanchoi Banarasi saree in sky blue with kamal jaal weave
The smooth, dense satin face of a Tanchoi, with no rough floats behind — a Mashru silk Kamal Jaal in sky blue.

The story of the three brothers

The tale that gives the weave its name travels from China to Gujarat to Banaras. In the nineteenth century, the story goes, three Parsi brothers were sent to China to learn its silk-weaving secrets; they returned to Surat with the technique and the name of their teacher, Chhoi — tan-Chhoi, the three Chhois. When the craft later found its way to Banaras, the city's weavers made it their own, marrying the smooth weave to Mughal and Persian motifs.

Khinkhwab Katan Mashru Tanchoi Banarasi saree in slate grey with laharia jaal pattern
From China to Surat to Banaras, the weave found a new home on the city's looms — here a laharia jaal Tanchoi in slate grey.

How to spot a Tanchoi

Look at the back: a true Tanchoi has no long cut floats, just a neat, closely-woven reverse. The patterns — often small repeating birds, flowers or paisleys (buti) — sit in tone-on-tone or softly contrasting colours, giving that signature jewel-like depth.

Close-up of the tone-on-tone geometric motifs of a rust red Katan silk Tanchoi Banarasi saree
Up close: the small, closely-repeating motifs in tone-on-tone colour that mark a true Tanchoi — here in rust red.

Tanchoi at Khinkhwab

We love the Tanchoi for everyday luxury: rich enough for a celebration, soft enough to drape and re-drape with ease. Explore our Tanchoi Banarasi sarees.

Khinkhwab Katan silk meenakari Tanchoi Banarasi saree in chocolate brown
Everyday luxury, soft enough to drape and re-drape — a handwoven Katan silk meenakari Tanchoi in chocolate brown.

Frequently asked questions

What is a Tanchoi saree?

A Banarasi silk woven so the extra colour threads are bound into the cloth rather than floating loose on the back, giving a dense, smooth, satiny fabric with no rough reverse.

Where does the name Tanchoi come from?

By tradition, from three Parsi brothers who learned the weave in China and took the name of their teacher, Chhoi — tan (three) Chhoi.

How is a Tanchoi different from ordinary brocade?

Ordinary brocade has loose weft floats cut away on the back; a Tanchoi binds them in, so it is smoother, heavier and looks finished on both sides.

Sources & further reading

General histories of Banarasi weaving and the Parsi Tanchoi tradition; Khinkhwab weavers' accounts. See also our looms of Banaras.

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