Songket, the gold-threaded supplementary-weft brocade of Palembang, South Sumatra, Indonesia (public domain).

Songket, Ikat and the Weaves of South-East Asia

Cross the sea from India and the loom keeps singing — in gold-threaded brocades, resist-dyed ikats and patterns once traded all the way from Gujarat.

Fun fact: In parts of Indonesia, Indian patola silk was once treated as sacred heirloom cloth — so prized that local weavers spent generations learning to imitate its patterns.

Our brocade has cousins. The weaving cultures of South-East Asia share India's love of gold thread, resist dyeing and slow handwork — and their histories are tangled up with India's own textile trade.

Songket: the brocade cousin

If you love a Banarasi, meet songket — the supplementary-weft brocade of the Malay world (the Malay Peninsula, Sumatra's Palembang, and Bali), in which gold or silver thread is floated over silk to build glowing motifs. It is, in spirit and technique, South-East Asia's closest answer to the Banarasi.

Palembang songket, the gold-thread brocade of Sumatra
Songket — the gold-and-silver brocade of the Malay world, here from Palembang in Sumatra.

Ikat: pattern dyed into the thread

Ikat is everywhere here: warp ikat in the pua kumbu of Borneo and the hinggi of Sumba; weft ikat in Thai mudmee, Lao sinh and Cambodian hol; and the rare, sacred double ikat called geringsing, woven only in the Balinese village of Tenganan — one of just a few double-ikat traditions on earth, alongside India's own Patan patola.

Indian Patan patola double-ikat sari
India's double-ikat Patan patola — traded east for centuries and treasured as sacred heirloom cloth across Indonesia.

Batik and the wave-weaves

Java's batik — wax-resist dyeing — is a dyeing rather than a weaving art, but no story of the region's cloth is complete without it. And in Myanmar, the acheik or luntaya (“hundred-shuttle”) technique builds interlocking wave patterns with up to a hundred or more tiny shuttles — labour close in spirit to our own kadwa.

The thread back to India

This isn't a foreign story so much as the far end of India's. For centuries Indian patola and printed cottons were carried east and treasured as heirloom and ceremonial cloth, shaping local design and giving rise to imitations. To trace South-East Asian weaving is, in part, to trace where Indian textiles travelled. (You can read about our own looms in The Looms of Banaras.)

Frequently asked questions

What is songket?

A South-East Asian brocade in which gold or silver supplementary weft is floated over a silk ground to form patterns — closely comparable to the Banarasi's gold-thread brocade.

What is the difference between ikat and batik?

Ikat is a weaving technique where the threads are resist-dyed before weaving; batik is a dyeing technique where wax is applied to finished cloth to resist the dye. Ikat patterns are built in; batik patterns are applied on top.

What is geringsing?

A sacred double-ikat cloth from Tenganan in Bali, where both warp and weft are resist-dyed before weaving — one of the world's few double-ikat traditions, like India's Patan patola.

Sources & further reading

  • Robyn Maxwell, Textiles of Southeast Asia: Tradition, Trade and Transformation.
  • Sylvia Fraser-Lu, Handwoven Textiles of South-East Asia.
  • Mattiebelle Gittinger, Splendid Symbols: Textiles and Tradition in Indonesia.

Leave a comment

Please note, comments need to be approved before they are published.

This site is protected by hCaptcha and the hCaptcha Privacy Policy and Terms of Service apply.